Difference between revisions of "Living Theatre"
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| − | {{traduction}}Le'''Living Theatre''' est une troupe de théatre américaine fondée en 1947 et basé à New York. It is the oldest [[experimental theatre]] group still existing in the U.S. For most of its history it was led by its founders, [[actor]] [[Judith Malina]] and [[painter]]/[[poet]] [[Julian Beck]]; after Beck's death in [[1985]], company member [[Hanon Reznikov]] became co-director with Malina. | + | {{traduction}} |
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| + | Le'''Living Theatre''' est une troupe de théatre américaine fondée en 1947 et basé à New York. It is the oldest [[experimental theatre]] group still existing in the U.S. For most of its history it was led by its founders, [[actor]] [[Judith Malina]] and [[painter]]/[[poet]] [[Julian Beck]]; after Beck's death in [[1985]], company member [[Hanon Reznikov]] became co-director with Malina. | ||
In the [[1950s]], the group was among the first in the U.S. to produce the work of influential European [[playwright]]s such as [[Bertolt Brecht]] and [[Jean Cocteau]], as well as [[modernism|modernist]] [[poet]]s such as [[T.S. Eliot]] and [[Gertrude Stein]]. Based in a variety of small New York locations which were frequently closed due to financial problems or conflicts with city authorities, they helped to originate [[Off-Broadway]] as a significant force in U.S. theatre. Their work during this period shared some aspects of style and content with [[Beat generation]] writers. Also during the 1950s, the American composer [[Alan Hovhaness]] worked closely with the Living Theatre, composing music for its productions. In [[1959]], their play ''The Connection'' attracted national attention for its harsh portrayal of [[drug addiction]] and its equally harsh language. | In the [[1950s]], the group was among the first in the U.S. to produce the work of influential European [[playwright]]s such as [[Bertolt Brecht]] and [[Jean Cocteau]], as well as [[modernism|modernist]] [[poet]]s such as [[T.S. Eliot]] and [[Gertrude Stein]]. Based in a variety of small New York locations which were frequently closed due to financial problems or conflicts with city authorities, they helped to originate [[Off-Broadway]] as a significant force in U.S. theatre. Their work during this period shared some aspects of style and content with [[Beat generation]] writers. Also during the 1950s, the American composer [[Alan Hovhaness]] worked closely with the Living Theatre, composing music for its productions. In [[1959]], their play ''The Connection'' attracted national attention for its harsh portrayal of [[drug addiction]] and its equally harsh language. | ||
Revision as of 03:42, 9 April 2006
| L'avancement de cette traduction est de %. |
LeLiving Theatre est une troupe de théatre américaine fondée en 1947 et basé à New York. It is the oldest experimental theatre group still existing in the U.S. For most of its history it was led by its founders, actor Judith Malina and painter/poet Julian Beck; after Beck's death in 1985, company member Hanon Reznikov became co-director with Malina.
In the 1950s, the group was among the first in the U.S. to produce the work of influential European playwrights such as Bertolt Brecht and Jean Cocteau, as well as modernist poets such as T.S. Eliot and Gertrude Stein. Based in a variety of small New York locations which were frequently closed due to financial problems or conflicts with city authorities, they helped to originate Off-Broadway as a significant force in U.S. theatre. Their work during this period shared some aspects of style and content with Beat generation writers. Also during the 1950s, the American composer Alan Hovhaness worked closely with the Living Theatre, composing music for its productions. In 1959, their play The Connection attracted national attention for its harsh portrayal of drug addiction and its equally harsh language.
The Brig (1963), an anti-authoritarian look at conditions in a Marine prison, was their last major production in New York before a disagreement with the IRS led to the closure of the theatre space and the brief imprisonment of Beck and Malina. For the rest of the 1960s the group toured chiefly in Europe, and turned to even more politically and formally radical work carrying an anarchist and pacifist message, with the company members creating plays collectively and often living together. Major works from this period included the adaptations Antigone and Frankenstein, and Paradise Now, which became their best-known play. Paradise Now, a semi-improvisational piece involving audience participation, was notorious for a scene in which actors recited a list of social taboos that included nudity, while themselves disrobing; this led to multiple arrests for indecent exposure.
Having returned to the U.S. in 1968 to tour Paradise Now, the group broke apart the next year. Malina and Beck toured with the remaining members in Brazil, where they were imprisoned in 1971, then returned to New York to form a new version of the group. Former member Joseph Chaikin left to form The Open Theater.
The Living Theatre has toured extensively throughout the world, often in non-traditional venues such as streets and prisons. It has greatly influenced other American experimental theatre companies, notably The Open Theater (founded by Living Theatre member Joseph Chaikin) and Bread and Puppet Theater. Its productions have won three Obie Awards: The Connection (1959), The Brig (1963), and Frankenstein (1968). Though its prominence and resources have diminished considerably in recent decades, The Living Theatre continues to produce new plays in New York City.
References
- Malina, Judith (1972). The Enormous Despair. New York: Random House.
- Malina, Judith (1984). The Diaries of Judith Malina, 1947-1957. New York: Grove Press, Inc.
- Neff, Renfreu (1970). The Living Theatre: U.S.A.
- Rostagno, Aldo, with Judith Malina and Julian Beck (1970). We, the Living Theatre. New York: Ballantine Books.
- The Living Theatre (1971). Paradise Now. New York: Random House.
External link
- REDIRECT Modèle:Wikipedia(traduit de l'anglais vers le français)
