Difference between revisions of "Anarchisme et l'Art"

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==Futurisme==
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[[Carlo Carrà]]'s best known work was [[The Funeral of the Anarchist Galli]], painted in [[1911]]. In the [[1912]] catalogue for the Futurists' first [[Paris]]ian exhibition [[Umberto Boccioni]] remarked ''"the sheaves of lines corresponding to all the conflicting forces, following the general law of violence"'' which he labeled ''force lines'' encapsulating the Futurist idea of [[physical transcendentalism]]. [[Mark Antliff]] has suggested that this futurist aesthetic was "designed to involve the spectator in the very politics that led to Italy's intervention in World War I and, ultimately, to the rise of [[Fascism]] in [[Italy]]" [http://www.findarticles.com/p/articles/mi_m0422/is_4_82/ai_69411772/pg_8 1]. The art historian [[Giovanni Lista]] has identified this aesthetic as first appearing in the [[anarcho-syndicalist]] current, where [[Marinetti]] encountered the Sorelian "myths of action and violence."
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==[[Surréalisme]]==
 
==[[Surréalisme]]==
 
"Un monde anarchiste... un monde surréaliste: C'est la même chose." &mdash;André Breton.
 
"Un monde anarchiste... un monde surréaliste: C'est la même chose." &mdash;André Breton.

Revision as of 13:04, 18 April 2006